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Sciences sociales et humaines

Robert Schwartzwald

Professeur titulaire

Faculté des arts et des sciences - Département de littératures et langues du monde

Pavillon Lionel-Groulx, local C-8130

514 343-2279

robert.schwartzwald@umontreal.ca

Portrait

Expertise de recherche

Schwartzwald's research focusses on a number of interrelated topics : the interface between discourses of national modernity on the one hand and literary and cultural modernites on the other; nationalisms and sexualities, and especially the ways in which homosexuality figures in national, colonial, and post-colonial discourses; interfaces between political notions of citizenship privileged by the nation state and the assertion of other identitarian positions on a transnational scale; literary discourse and the dissemination of notions of " civility " and " density " in heterogenous, urban spaces. His primary sites of investigation have been Quebec, Canada, la francophonie, France between the two world wars and post-1968, and the " small nations " of western and central Europe.

Biographie

Before joining the department in January 2005, Robert Schwartzwald was a Professor of French and Francophone Studies at the University of Massachusetts Amherst, where he chaired the Department of Languages, Literatures, and Cultures. He was also an allied faculty member of the Departments of Comparative Literature and Judaic and Near Eastern Studies. Professor Schwartzwald was the Founding Director of the Center for Crossroads in the Study of the Americas (CISA) of the Five College consortium (Amherst, Hampshire, Mount Holyoke, Smith Colleges and the University of Massachusetts Amherst) in western Massachusetts. With graduate degrees in Comparative Literature (M .A., U of Toronto) and Littérature québécoise (PhD, U. Laval), his comparatist background and record of interdisciplinary research and teaching, he is an excellent fit for the new programs of Études anglaises at the Université de Montréal and especially for building bridges between it and other departments.

Among Professor Schwartzwald's numerous publications are two pioneering essays for gay studies in Quebec : " Fear of Federasty : Quebec's Inverted Fictions " (in Comparative American Identities , Hortense Spillers, ed., 1991), developed from a lecture presented at the English Institute at Harvard University in 1990, and " 'Symbolic Homosexuality', 'False Feminine', and the Problematics of Identity in Quebec " ( in Fear of Queer Planet : Queer Politics and Social Theory , Michael Warner, ed., 1993), first published in French in Fictions de l'identitaire au Québec . Schwartzwald also edited a critically acclaimed special Canada issue of The Massachusetts Review in 1990 and published an annotated translation of The Brown Plague (1994), French writer Daniel Guérin's account of his travels through late Weimar and early Nazi Germany in 1932 and 1933. His introductory essay places Guérin's observations in the context of those by Anglo-American writers, including Isherwood, Spender, Auden, and Wescott, from the same period. He has written a series of essays on the Dominican Father Marie-Alain Couturier, who spent the Second World War years in New York City and Montreal, where he promoted the work of young, nonfigurative artists and helped shift public opinion toward support for la France-libre . With grants from the Menil Foundation, Schwartzwald has written about Couturier's leading role in renewing sacred art in the 20th century and his collaborations with Matisse, Le Corbusier, and Léger, among others. Recently, Schwartzwald has been writing on relations between (anti) globalization discourse, postcolonialism, and the cultures of " small nations. "

In Massachusetts, Schwartzwald developed and taught graduate seminars on Quebec literature, " Identity and Heterogeneity in the Contemporary French and Francophone Text, " " The Colonial Other in French Literature, " " Culture and Crisis in France, " and " Intellectuals and Their Institutions. " At the undergraduate level, his courses included Quebec culture, French Film, and France since 1945. For CISA, he helped develop the co-taught, interdisciplinary courses " Global Markets, Global Culture? " and " Rethinking the Americas. " At the Université de Montréal, he has taught graduate seminars on contemporary gay and lesbian literature, the construction of cultural space (the literature of cities), and Borderlands of the Americas, which examines how literary texts complicate the naturalized borders of geo-political discourse. At the undrgraduate level, courses include Écrivains anglophones du Québec, English Studies in a Comparative Context, and Literature and Globalization.

Schwartzwald is a member of the Centre de recherche interuniversitaire sur la littérature et culture québécoises (CRILCQ), where he is a researcher in the group project " Penser l'histoire de la vie culturelle au Québec. " Here, he focuses on how literature and film serve as sites, in the middle decades of the 20th century, for the " induction " of young intellectuals into urban life. His recent work explores intercultural relations in Montreal at this time, particularly between the city's French, English, and Jewish communities, and examines journalism in particular as a site of productive heterogeneity. In November 2007, he co-organized a two-day conference, " Densités, Intensités. Tensions : L'urbanité montréalaise en question' " that brought young Montreal architects and designers into dialogue with academics in literature, communication, art history, urbanism, and sociology.

Schwartzwald served as Editor of Quebec Studies , the scholarly journal of the American Council of Quebec Studies, from 1995-2000, and Editor in Chief of the International Journal of Canadian Studies / Revue internationale d'études canadiennes from 2000-2005. He has been invited to lecture in numerous countries, including a cursillo on " Constructions of Modernity in Quebec " under the auspices of the Margaret Atwood - Gabrielle Roy chair in Canadian Studies at the National Autonomous University in Mexico City. In May 2008, he was awarded the Governor General's International Award for Canadian Studies in recognition of his scholarly contributions to the field.

Enseignement et encadrement

Encadrement

Thèses et mémoires dirigés (dépôt institutionnel Papyrus)

2020

Les limites imposées aux minorités sexuelles comme symptôme d’un projet de pouvoir au Brésil : le cas Queermuseu

Diplômé(e) : Mattos da Rocha, Renato
Cycle : Maîtrise
Diplôme obtenu : M. Sc.
2020

Deterritorialized male subjectivity : liminality, in-betweenness, and becoming in migrant literary and cultural contexts

Diplômé(e) : Zamanpour, Ali
Cycle : Doctorat
Diplôme obtenu : Ph. D.
2020

Frank O'Hara & the city : situationist psychogeography, postwar poetics, & capitalist culture.

Diplômé(e) : Shweiry, Zein
Cycle : Doctorat
Diplôme obtenu : Ph. D.
2019

Réjean Ducharme, un écrivain de la « résistance à la disparition de soi »

Diplômé(e) : Gagnon, Samuel
Cycle : Maîtrise
Diplôme obtenu : M.A.
2018

Otherwordly others : racial representation in fantasy literature

Diplômé(e) : Rumsby, John Henry
Cycle : Maîtrise
Diplôme obtenu : M.A.
2016

Imperfect flâneurs : anti-heroes of modern life

Diplômé(e) : Ng, Simon Yiu-Tsan
Cycle : Doctorat
Diplôme obtenu : Ph. D.
2015

Waxing Ornamental : Reading a Poetics of Excess in Virginia Woolf’s Orlando and Djuna Barnes’s Nightwood

Diplômé(e) : Taylor, Benjamin
Cycle : Maîtrise
Diplôme obtenu : M.A.
2015

Drawing in the margins : identity and subjectivity in contemporary autobiographical comics

Diplômé(e) : Køhlert, Frederik Byrn
Cycle : Doctorat
Diplôme obtenu : Ph. D.
2014

Recollecting Work : Labour and Class in Contemporary North American Historical Fiction

Diplômé(e) : D'Abramo, Kevin
Cycle : Doctorat
Diplôme obtenu : Ph. D.
2014

Code-Switching Between Cultures And Languages : Creative connectivity

Diplômé(e) : Shafiq, Muna
Cycle : Doctorat
Diplôme obtenu : Ph. D.
2010

The Broken "I" : fragmentation of self and otherness in modern urban narratives

Diplômé(e) : Loiselle, Eric
Cycle : Maîtrise
Diplôme obtenu : M.A.
2008

Scattered narratives : a critical and creative re-examining of subjugated history

Diplômé(e) : D'Abramo, Kevin
Cycle : Maîtrise
Diplôme obtenu : M.A.
2008

The eroticization of space and language through desire in Gail Scott's My Paris

Diplômé(e) : Hamed, Yafa
Cycle : Maîtrise
Diplôme obtenu : M.A.

Projets

Projets de recherche

2013 - 2018

CENTRE DE RECHERCHE INTERUNIVERSITAIRE SUR LA LITTERATURE ET LA CULTURE QUEBECOISES (CRILCQ)

Chercheur principal : Gilles Dupuis , Martine-Emmanuelle Lapointe
Sources de financement : FRQSC/Fonds de recherche du Québec - Société et culture (FQRSC)
Programmes de subvention : PV129894-(RG) Programme Regroupements stratégiques
2013 - 2015

COLLOQUE INTERNATIONAL CONSACRE AU CINQUANTENAIRE DE LA REVUE PARTI PRIS (1963-1968): AVEC OU SANS PARTI PRI

Chercheur principal : Gilles Dupuis
Co-chercheurs : Robert Schwartzwald , Karim Larose , Frederic Rondeau
Sources de financement : CRSH/Conseil de recherches en sciences humaines du Canada
Programmes de subvention : PV152160-Subvention Connexion
2011 - 2014

INTERDISCIPLINARITE, MULTIDISCIPLINARITE ET TRNSDISCURSIVITE DANS LA VIE ARTISTIQUE AU QUEBEC

Chercheur principal : Lucie Robert
Co-chercheurs : Robert Schwartzwald , Micheline Cambron
Sources de financement : CRSH/Conseil de recherches en sciences humaines du Canada
Programmes de subvention : PVXXXXXX-Subvention ordinaire de recherche

Rayonnement

Publications et communications

Disciplines

  • Études littéraires

Champ d’expertise

  • Interface entre les discours de la modernité nationale et les modernités littéraires et culturelles
  • Nationalismes et sexualités
  • Discours littéraire et diffusion des notions de civilité et de densité dans des espaces urbains hétérogènes