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Portrait

Biographie

Bachelor of Music Education - University of Regina (Saskatchewan)

BFA - Visual Arts - University of Regina (Saskatchewan)

MFA - Visual Arts - Concordia University (Québec)

Doctorate of Music - Université de Montréal (Québec)

Prix et distinctions

Best Paper Award - NIME Symposium 2023

Affiliations et responsabilités

Affiliations de recherche

Unités de recherche

Codirectrice

Membre du CA - centre d'artistes perte de signal

Membre CIRRMT

Enseignement et encadrement

Encadrement

Thèses et mémoires dirigés

Encadrement des doctorants

Yue Wang (co-direction avec Jimmy Leblanc) "Corps–Timbre–Algorithme : vers un paradigme interactif pour la composition en musique mixte."

Supervision des étudiants en maîtrise
Luana Belinsky (co-direction avec Sofian Audry, UQAM) "Anatomie prolongée: simulation incarnée et corporéité étendue par un costume mécanique interactif."

Projets

Projets de recherche

2022 - 2030

cinEXmedia: Ensuring Well-Being in the Screen Age. A Partnership Supporting the Inclusive Use of Cinematic Experiences in Health, Education, and Society

Sources de financement : CRSH/Conseil de recherches en sciences humaines du Canada
Programmes de subvention : PV128152-Subvention de partenariat
2025 - 2027

Développement d’un programme de recherche-création interdisciplinaire en musique biofeedback

Chercheur principal : Erin Gee
Sources de financement : CRSH/Conseil de recherches en sciences humaines du Canada
Programmes de subvention : PVX20020-Subvention institutionnelle du CRSH - Subventions d'exploration

Rayonnement

Publications et communications

Publications

Gee, E. (2023). The BioSynth—An affective biofeedback device grounded in feminist thought. New Instruments for Musical Expression, Mexico City, Mexico. https://drive.google.com/file/d/1C3Sk96kjcdaLqHe4yPrjyF3rRONMZ6Ur/view?usp=drive_link

Hagler, Jo’Elen et al. (2022). ‘Flexible and Stretchable Printed Conducting Polymer Devices for Electrodermal Activity Measurements’. Flexible and Printed Electronics 7(1): 014008.

Gee, E. (2020). Larynx Series, Voice of Echo, and Formants: Three Sound-Based Performance Works. Canadian Theatre Review, 184, 67–73. https://doi.org/10.3138/ctr.184.013

Gee, E., & Garcia, F. (2020). Approaches to Biometrics in Experimental Sound Art. PUBLIC Journal, 60 (Biometrics: Mediating Bodies), 14–17.

Gee, Erin, Lee, A. M., & Sofian Audry (2020) “Playing with Emotions: Biosignal-based Control in Virtual Reality Game Project H.E.A.R.T.” Conference Proceedings, ISEA 2020, p 489-493.

Gee, Erin and Sofian Audry. (2019) “Automation as Echo.” ASAP/Journal V4.2, p 307-312

Gee, Erin. (2013) “Repetition as Radical Referral: Echo and Narcissus in the Digital Index.” Leonardo Music Journal Issue 23, p. 88.

Gee, Erin. (2010) “Other Bodies, Other Voices.” eContact! Journal of the Canadian Electroacoustic Community.  issue 12.3. 

Communications

Rogatchevski, Ilia. “On Location : MUTEK. ” The Wire #477 (November 2023): 78. https://reader.exacteditions.com/issues/112921/page/78

Bellemare, Laurent. “MUTEK 2023 : Exploring Erin Gee’s take on ASMR and Biofeedback.” PANM 360. August 22, 2023. https://panm360.com/en/interviews-panm360/mutek-2023-une-exploration-de-lasmr-et-du-biofeedback-avec-erin-gee/

Masud, S. (2022, November 11). VISIONARY WOMEN. The News International. https://www.thenews.com.pk/magazine/you/1014017-visionary-women

Varty, A. (2022, November 15). Through music and new media art, Montreal’s Erin Gee aims to trigger that tingling feeling. Stir. https://www.createastir.ca/articles/erin-gee-vancouver-new-music-parallel-05

La Presse. “Trois résidences d’artistes.” La Presse. 28 mars 2021. https://www.lapresse.ca/affaires/tetes-d-affiche/2021-03-28/trois-residences-d-artistes.php

“Reviews: Machine Unlearning: The charm of neural conditioning.” Neural.it. No 67, autumn 2020.

Hendricks, Manique. (23 juin, 2020). Well Now WTF?  Tubelight. Néerlandais. https://www.tubelight.nl/well-now-wtf/

Fournier, Lauren. (7 avril, 2020) Reviews – Erin Gee at MacKenzie Art Gallery, Regina. Canadian Art. https://canadianart.ca/reviews/erin-gee-mackenzie-art-gallery/

Heenan, Alexa. (30 janvier, 2020) Erin Gee at the MacKenzie Art Gallery, Regina. Akimblog. https://akimbo.ca/akimblog/erin-gee-at-the-mackenzie-art-gallery-regina/

Beatty, Gregory. (16 janvier, 2020) Mind, Body, Machines and Sound. Regina Prairie Dog (print). https://prairiedogmag.com/2020-01-16/mind-body-machines-and-sound/

Martin, Ashley (27 janvier, 2020) Through technology, the body is the focus of Erin Gee's artwork. Regina Leader Post (imprimé). https://leaderpost.com/entertainment/local-arts/through-technology-the-body-is-the-focus-of-erin-gees-mackenzie-art-exhibition

Au, Wagner James. (2 janvier, 2019) Top 12 AR, VR & Avatar-Based AI Projects & Innovations Of 2018 Featured In New World Notes. New World Notes. https://nwn.blogs.com/nwn/2019/01/ai-ar-vr-innovation.html

Fournier, Lauren. (7 novembre, 2018) “Our Collective Nervous System: Interview with Erin Gee.” Canadian Art. https://canadianart.ca/interviews/our-collective-nervous-system/

Berson, Amber. (23 octobre, 2018) “Exhibition Review: Amplification at Eastern Bloc.” Canadian Art.  https://canadianart.ca/reviews/amplification/

Leblanc, Lindsay. “Sketchy Machines: Propositions Around Three Robotic Artworks.” esse No 93 - Printemps / été 2018.  

Scheer, Ursula. (4 juin 2018) “Der Malende Roboter ist Expresssioniste.” Frankfurther Allgemeine Zeitung. http://plus.faz.net/faz-plus/feuilleton/2018-06-04/ba2d78dd0b5c4bce3aae4f2b05a39de6/?GEPC=s9

Au, Wagner James. (1 mars, 2018) “Project H.E.A.R.T: A Virtual Reality War Game Where Soldier Morale Is Controlled By The Player’s Real Emotions” New World Notes. http://nwn.blogs.com/nwn/2018/03/vrgame-empathy-joy-project-heart-erin-gee.html

Dooley, Tatum. (Hiver 2018) “VR and the Failure of Self-Help Technology.” Canadian Art. http://canadianart.ca/reviews/vr-and-the-failure-of-self-help-technology/

McNamara, Rea. (Hiver 2017) “10 Artists with Forward-Thinking Practices.” Canadian Art. http://canadianart.ca/features/forward-looking-canadian-artists/

Varty, Alexander. (Automne 2016) “Erin Gee Sings the Body Electronic.” Musicworks Magazine https://www.musicworks.ca/erin-gee-sings-body-electronic

Social Sciences and Humanities Research Council of Canada. “Feeling the Music: Bridging the gap between body and technology.” 23 février 2016. http://www.sshrc-crsh.gc.ca/society-societe/stories-histoires/story-histoire-eng.aspx?story_id=176

Oyler, Lauren. “Erin Gee Makes Feminist Robots That Respond to Human Emotion” VICE, 16 décembre, 2014. http://www.vice.com/read/erin-gee-makes-feminist-robots-that-respond-to-human-emotion-456

Kelly, Jeannette. “Erin Gee is making music from human emotions” CBC News, 12 décembre 2014 http://www.cbc.ca/news/canada/Montréal/erin-gee-is-making-music-from-human-emotions-1.2870859

Bondar, Carin. “Erin Gee Blends Emotions, Science, Music and Robotic Pianos.” Scientific American Blog 14 décembre, 2014. http://blogs.scientificamerican.com/video-of-the-week/2014/12/14/erin-gee-blends-emotions-science-music-and-robotic-pianos/

Guptar, Nitesh. “Bridging Robotics and Emotion: A Conversation with Erin Gee” Atwood Magazine. 16 mai, 2014. http://atwoodmagazine.com/interview-erin-gee/

Gannon, Megan. “Robots to Spin Your Emotions into Music.” LiveScience. 27 septembre, 2012 https://www.livescience.com/23529-robots-emotion-song.html

Cassivi, Marc. “La symphonie des sens.” La Presse, 23 octobre 2012.https://www.lapresse.ca/debats/chroniques/marc-cassivi/201210/23/01-4586158-la-symphonie-des-sens.php

Disciplines

  • Musique
  • Études féministes

Champ d’expertise

  • Lutherie numérique
  • Composition et création sonore
  • Chant classique
  • Composition mixte

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